The Best Picture-winning film "Everything Everywhere All at Once" dominates the Oscars with seven awards (Full Winners List)

Don't ever listen to someone tell you that you are past your prime, Yeoh advised the women. This is a beacon of hope and opportunity for all the young boys and girls watching tonight who like me, she continued.

In "The Whale," Brendan Fraser won the award for best actor for his portrayal of an obese dad attemptinIt was a night of reversals and evaluations. Michelle Yeoh, who starred in "Everything Everywhere All at Once," became the first Asian woman to win best actress. After a lengthy career in martial arts and action films like "Crouching Tiger, Hidden Dragon" and "Yes, Madam," the honor was bestowed.

g to reconcile with his daughter. Fraser, who was once well-known for his roles in blockbuster movies like "George of the Jungle" and "The Mummy," has spent ten years or more away from the spotlight battling his health and other issues. His victory carries on his miraculous comeback.

Fraser acknowledged his professional difficulties by saying, "I started in this business 30 years ago, and these certainly didn't come easily to me, but there was a facility that I didn't realize at the time until it ended. Darren Aronofsky, who directed him, was commended by the actor for "giving me a creative lifeline and bringing me aboard."

For his portrayal of Yeoh's stressed spouse in "Everything Everywhere All at Once," Ke Huy Quan received best-supporting actor. Quan, a former kid star who starred in "The Goonies" and "Indiana Jones and the Temple of Doom," had given up acting in recent years after becoming disenchanted with his lack of possibilities. He fought back emotions as he shared his personal background while accepting his honor.

He stated, "My voyage began on a boat. "I spent a year in a refugee camp, and somehow I found myself here, on the largest platform in Hollywood. Some claim that tales like these only appear in movies. It's happening to me, and I can't believe it. The American dream is this.

He stated, "Dreams are something that you have to believe in. "I nearly abandoned my. Please keep your dreams alive, everyone out there.

Jamie Lee Curtis, the daughter of Hollywood luminaries Janet Leigh and Tony Curtis, and a seasoned star of horror blockbusters like "Halloween," won best supporting actress for her performance as an IRS investigator in "Everything Everywhere All at Once."

Although she acknowledged her family's history in the entertainment industry by stating that "my mother and my father were both nominated for Oscars in various categories," Curtis dedicated her trophy to "all of the individuals who have supported the genre movies that I've created for all these years." She concluded, choked up, "I just won an Oscar."

However, the Academy of Motion Picture Arts & Sciences has undergone a significant transformation in recent years. With its multiverse plot and quirky touches like a character with hot dog hands and weaponized dildos, "Everything Everywhere All at Once" represents a radical departure from the kind of staid prestige fare that historically dominated the Oscars. As a result of the #OscarsSoWhite scandal following the failure to nominate any actors of colour for two consecutive years, In 2016, the Academy made a significant effort to broaden the voter base. Its membership has gotten younger over the years and is now more diverse and female.

The ceremony took place as Hollywood was under pressure. Major studios and their corporate owners have invested a lot of effort and money in developing their own in-house Netflix rivals as consumers have moved away from cable and towards subscription streaming services. The entertainment sector has also experienced a period of consolidation, as evidenced by the merger of Discovery and WarnerMedia, Disney's acquisition of a significant portion of 21st Century Fox, and Amazon's acquisition of MGM. In the first two of these transactions, the buyer had a significant amount of debt on their balance sheet. Investors are growing more concerned that large media businesses are overleveraged and that their new revenue streams from streaming have not been able to fully replace their previous revenue streams from cable subscriptions and cinema ticket sales. That has lowered the share prices of every company, including Netflix, Disney, and the recently renamed Warner Bros. Discovery, leading to a time of layoffs and cost-cutting. There were dark clouds forming that would have obscured the festive atmosphere of the Oscars, with a potential recession coming and studios dealing with labor disputes with the unions representing writers, directors, and performers that could result in strikes.

Jimmy Kimmel, who hosted the Oscars for the third time, presided over everything and (most of the time) kept things light and airy. The huge moment from last year's ceremony, when Will Smith attacked the stage and smacked Chris Rock for making a joke about his wife Jada Pinkett Smith's bald head, was immediately brought up by the late-night comedian (Pinkett Smith suffers from alopecia which leads to hair loss).

"If anyone in this theatre commits an act of violence at any point during this show you will be awarded the Oscar for best actor and permitted to give a 19-minute-long message," Kimmel joked.

“If anything unpredictable or violent happens during the ceremony, just do what you did last year — nothing,” he said “Sit there and do absolutely nothing. Maybe even give the assailant a hug.”

"All Quiet on the Western Front," an adaptation of Erich Maria Remarque's novel about trench life during World War I, won four Oscars, including best international picture. Other notable awards included "Pinocchio," the stop-motion musical directed by Guillermo del Toro, which won best animated film, and "Women Talking," which won best-adapted screenplay for Sarah Polley.

The greatest documentary was "Navalny," which featured Alexei Navalny, the head of the Russian opposition. Once the prize was announced, Yulia Navalny, the politician who is currently in prison, entered the platform and addressed Vladimir Putin. She said, "I'm dreaming of the day when you and our nation will be free. she sentenced.

The Oscars decided against getting too involved in world events. The programme declined Ukrainian President Volodymyr Zelenskyy's requests to speak to the world public on his country's battles against Russia's illegitimate invasion for the second year in a row.

Smaller films like "Triangle of Sorrow" and "Tár," as well as some well-known classics like "Top Gun: Maverick" and "Avatar: The Way of Water," were among this year's best picture candidates. The Oscars have been experiencing a rating decline, so it's unknown how much the inclusion of these blockbusters would increase viewership this year. With 16.6 million viewers, last year's show had its second-lowest ratings ever. In contrast, 43 million people watched the Oscars in 2014, 

The Oscars made some noticeable aesthetic modifications, switching out the customary red carpet for a champagne-colored one. However, that decision resulted in some last-minute rushing after a weekend of rain forced organizers to tear up carpeting that had been damaged by the terrible weather and grimy shoe soles. Yet, a few potential catastrophes were averted. The shopping mall and entertainment complex known as Ovation Hollywood, which serves as the site of the Academy Awards, experienced power disruptions on Saturday. By Sunday, though, the darkness had vanished, leaving nothing but the flashing lights that welcomed the stars as they entered the auditorium.

Below is a list of all the Oscar winners:

Best Picture

“Everything Everywhere All at Once” — Daniel Kwan, Daniel Scheinert, and Jonathan Wang, producers

“All Quiet on the Western Front” — Malte Grunert, producer

“Avatar: The Way of Water” — James Cameron and Jon Landau, producers

“The Banshees of Inisherin” — Graham Broadbent, Pete Czernin and Martin McDonagh, producers

“Elvis” — Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, producers

“The Fabelmans” — Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, producers

“Tár” — Todd Field, Alexandra Milchan and Scott Lambert, producers

“Top Gun: Maverick” — Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, producers

“Triangle of Sadness” — Erik Hemmendorff and Philippe Bober, producers

“Women Talking” — Dede Gardner, Jeremy Kleiner and Frances McDormand, producers

Best Lead Actress

Michelle Yeoh (“Everything Everywhere All at Once”)

Cate Blanchett (“Tár”) 

Ana de Armas (“Blonde”) 

Andrea Riseborough (“To Leslie”)

Michelle Williams (“The Fabelmans”) 

Best Lead Actor

Brendan Fraser (“The Whale”) 

Austin Butler (“Elvis”) 

Colin Farrell (“The Banshees of Inisherin”) 

Paul Mescal (“Aftersun”) 

Bill Nighy (“Living”) 

Best Director

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 

Martin McDonagh (“The Banshees of Inisherin”) 

Steven Spielberg (“The Fabelmans”) 

Todd Field (“Tár”) 

Ruben Östlund (“Triangle of Sadness”)

Best Film Editing

“Everything Everywhere All at Once” — Paul Rogers

“The Banshees of Inisherin” — Mikkel E.G. Nielsen

“Elvis” — Matt Villa and Jonathan Redmond

“Tár” — Monika Willi

“Top Gun: Maverick” — Eddie Hamilton

Best Original Song 

“Naatu Naatu” from “RRR” — music by M.M. Keeravaani, lyric by Chandrabose  

“Applause” from “Tell It Like a Woman” — music and lyric by Diane Warren

“Hold My Hand” from “Top Gun: Maverick” — music and lyric by Lady Gaga and BloodPop

“Lift Me Up” from “Black Panther: Wakanda Forever” — music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyric by Tems and Ryan Coogler

“This Is a Life” from “Everything Everywhere All at Once” — music by Ryan Lott, David Byrne and Mitski; lyric by Ryan Lott and David Byrne

Best Sound

“Top Gun: Maverick” — Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

“All Quiet on the Western Front” — Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

“Avatar: The Way of Water” — Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

“The Batman” — Stuart Wilson, William Files, Douglas Murray and Andy Nelson

“Elvis” — David Lee, Wayne Pashley, Andy Nelson and Michael Keller

Best Adapted Screenplay

“Women Talking” — Sarah Polley

“All Quiet on the Western Front” — Edward Berger, Lesley Paterson and Ian Stokell

“Glass Onion: A Knives Out Mystery” — Rian Johnson

“Living” — Kazuo Ishiguro

“Top Gun: Maverick” — screenplay by Ehren Kruger, Eric Warren Singer and Christopher McQuarrie; story by Peter Craig and Justin Marks

Best Original Screenplay

“Everything Everywhere All at Once” — Daniel Kwan and Daniel Scheinert

“The Banshees of Inisherin” — Martin McDonagh

“The Fabelmans” — Steven Spielberg and Tony Kushner

“Tár” — Todd Field

“Triangle of Sadness” — Ruben Östlund

Best Visual Effects

“Avatar: The Way of Water” — Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

“All Quiet on the Western Front” — Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar

“The Batman” — Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

“Black Panther: Wakanda Forever” — Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

“Top Gun: Maverick” — Ryan Tudhope, Seth Hill, Bryan Litson, and Scott R. Fisher

Best Original Score 

“All Quiet on the Western Front” — Volker Bertelmann

“Babylon” — Justin Hurwitz

“The Banshees of Inisherin” — Carter Burwell

“Everything Everywhere All at Once” — Son Lux

“The Fabelmans” — John Williams

Best Production Design 

“All Quiet on the Western Front” — production design by Christian M. Goldbeck, set decoration by Ernestine Hipper

“Avatar: The Way of Water” — production design by Dylan Cole and Ben Procter, set decoration by Vanessa Cole

“Babylon” — production design by Florencia Martin, set decoration by Anthony Carlino

“Elvis” — production design by Catherine Martin and Karen Murphy, set decoration by Bev Dunn

“The Fabelmans” — production design by Rick Carter, set decoration by Karen O’Hara

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse” — Charlie Mackesy and Matthew Freud

“The Flying Sailor” — Amanda Forbis and Wendy Tilby

“Ice Merchants” — João Gonzalez and Bruno Caetano

“My Year of Dicks” — Sara Gunnarsdóttir and Pamela Ribon

“An Ostrich Told Me the World Is Fake and I Think I Believe It” — Lachlan Pendragon

Best Documentary Short Film 

“The Elephant Whisperers” — Kartiki Gonsalves and Guneet Monga

“Haulout” — Evgenia Arbugaeva and Maxim Arbugaev

“How Do You Measure a Year?” — Jay Rosenblatt

“The Martha Mitchell Effect” — Anne Alvergue and Beth Levison

“Stranger at the Gate” — Joshua Seftel and Conall Jones

Best International Feature Film 

“All Quiet on the Western Front” (Germany) 

“Argentina, 1985” (Argentina) 

“Close” (Belgium)

“EO” (Poland) 

“The Quiet Girl” (Ireland) 

Best Costume Design 

“Black Panther: Wakanda Forever” — Ruth E. Carter

“Babylon” — Mary Zophres

“Elvis” — Catherine Martin

“Everything Everywhere All at Once” — Shirley Kurata

“Mrs. Harris Goes to Paris” — Jenny Beavan

Best Makeup and Hairstyling 

“The Whale” — Adrien Morot, Judy Chin and Anne Marie Bradley

“All Quiet on the Western Front” — Heike Merker and Linda Eisenhamerová

“The Batman” — Naomi Donne, Mike Marino and Mike Fontaine

“Black Panther: Wakanda Forever” — Camille Friend and Joel Harlow

“Elvis” — Mark Coulier, Jason Baird and Aldo Signoretti

Best Cinematography 

“All Quiet on the Western Front” — James Friend

“Bardo, False Chronicle of a Handful of Truths” — Darius Khondji

“Elvis” — Mandy Walker

“Empire of Light” — Roger Deakins

“Tár” — Florian Hoffmeister

Best Live Action Short

“An Irish Goodbye” — Tom Berkeley and Ross White

“Ivalu” — Anders Walter and Rebecca Pruzan

“Le Pupille” — Alice Rohrwacher and Alfonso Cuarón

“Night Ride” — Eirik Tveiten and Gaute Lid Larssen

“The Red Suitcase” — Cyrus Neshvad

Best Documentary Feature Film 

“Navalny” — Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

“All That Breathes” — Shaunak Sen, Aman Mann and Teddy Leifer

“All the Beauty and the Bloodshed” — Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

“Fire of Love” — Sara Dosa, Shane Boris and Ina Fichman

“A House Made of Splinters” — Simon Lereng Wilmont and Monica Hellström

Best Supporting Actress

Jamie Lee Curtis (“Everything Everywhere All at Once”)

Angela Bassett (“Black Panther: Wakanda Forever”) 

Hong Chau (“The Whale”) 

Kerry Condon (“The Banshees of Inisherin”)  

Stephanie Hsu (“Everything Everywhere All at Once”)

Best Supporting Actor

Ke Huy Quan (“Everything Everywhere All at Once”) 

Brendan Gleeson (“The Banshees of Inisherin”) 

Brian Tyree Henry (“Causeway”) 

Judd Hirsch (“The Fabelmans”)

Barry Keoghan (“The Banshees of Inisherin”) 

Best Animated Feature Film 

“Guillermo del Toro’s Pinocchio” — Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

“Marcel the Shell With Shoes On” — Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

“Puss in Boots: The Last Wish” — Joel Crawford and Mark Swift

“The Sea Beast” — Chris Williams and Jed Schlanger

“Turning Red” — Domee Shi and Lindsey Collins